As of November this year, artist Marcel Mališ will be painting his authorial replica of the lost work in the SNG atrium under a changed title ThanksSeeming of the Czechoslovak People. How precisely he will copy the origin is up to his decision. The gallery will be his "studio" and the picture will develop in front of the public eye. The painting action will become a starting point of a new experimental genre - an art undertaking which reflects our thinking about the status of the national gallery as an educational institution of today; a place of asking questions and looking for answers.

This solo exhibition of Erik Binder is a continuation of projects of middle-generation artists made for the SNG. Robustness of his oeuvre and at the same time the lightness of his creative approach enable us to present him as a creator within his own environment, within the labyrinth of his own life, where he is trying to orientate.

Project Seven Liberal Thoughts on the Arts, a collective work by curators at the SNG, responds to the flourishing of online culture during the quarantine measures because of the Covid-19 pandemic. Even prior to that, the SNG's digital footprint was relatively pronounced, and therefore under the new conditions it came naturally to us to expand our online range.

Looking at the statue 26 October 1921, destruction of the Maria Theresa monument in Bratislava (2007 - 2019) by contemporary artist Martin Piaček (1972), displayed in the window of Esterházy Palace - it is crucial to realize that we are just a couple of meters away from a place where the monument to Maria Theresa was unveiled in May 1897 and stood until its vandalistic destruction during the First Republic. Its granite pedestal stood there for another four years, without a monumental marble sculpture, silent remorse and a symbol of human vandalism.

The 2011 Time Capsule expands the Slovak National Gallery collection of the works of today already world-renowned artist Roman Ondak by a monumental installation. The new acquisition fundamentally widens the conceptual art collection and the after 1960s installations in SNG and joins to the previously acquired works of the author - Hunger (1996), Anonymous Room (1996), Sated Table (1997), Retrospective (2005).

Potential Agrarianisms sets out to diversify agriculture and pluralise its histories, recovering suppressed peasant pasts and activating their unrealised possibilities, destabilising urban-rural dichotomies, repairing the disconnect with the natural world and restoring caring and reciprocal relationships to the soils and plants that nourish us. Uncovering its origins in colonial plantations and embeddedness in the operations of extractive capitalism, the exhibition explores alternatives to the globalised system of industrial agriculture with its patent formula of chemical additives, noxious pesticides and genetically modified seeds, vigorously cultivated with fossil fuel machinery.

The mission of the experimental expositions is to present further content along with the collections in a wider cultural context and to provide a space for cultural experiments.

The Kornel and Naďa Földvári Library is a project dedicated to Slovak writer, satirist, art and literary critic, book collector and translator, Kornel Földvári. Preparations started together with Peter Krištúfek, writer and director, who for a long time has searched for a method of preserving Földvári's large collection of books.

Our second situational presentation of Július Koller's Archives focuses on several other aspects of his multi-layered creativity.

Július Koller, the icon of the conceptual art of Central Europe, has the first exposition of his very own. You can find it on Zámočnícka Street No. 13 in Bratislava. The core of the exposition, prepared by the civic association Antimúzeum Júliusa Kollera (Július Koller's Anti-Museum) in cooperation with the Slovak National Gallery, is comprised of a private collection.

Zone is an educational space for visitors of all age categories, who like to explore, experiment, and want to learn more about interesting topics from fine art. Here, we connect interaction, new knowledge, fun, and relax with original works of art which are commented and explained though installations.

The exhibition Disappearing Body is an experiential essay on the "disappearing" of physical bodies in our lives. It observes the general trend of decorporalisation of human existence, which has recently taken on new dimensions. Whether we regard the issue of different degree of physical „disappearing" within everyday life through the optics of geopolitical context, technological direction, "dissolution" of identities in online environments, post- or trans-humanistic theories, pandemic measures, spirituality, or self-observation, each of the aspects offers a wide range of interpretations. Similarly variable image is brought by the exhibition.