Archive of exhibitions

Arnold Peter Weisz-Kubínčan (1898 - 1944) was born into a Jewish family in the town of Usch, Prussia. From 1913 to 1917 he studied sculpture at the School of Arts and Crafts in Budapest. After the war he continued in his studies in Berlin, most probably at a private academy. In Berlin of the 1920s he could be close to the expressionistic tendencies which suited his artistic nature. Weisz-Kubínčan is a unique figure in terms of our modern painting and drawing but also due to his mysticism.

This exhibition will not present photography as a useful, fast recording medium, "a document of the period", or as an instrument of digital manipulation, but as a tool that is suitable for a wide range of use in contemporary art. In their response to the digital technology era, artists use the photo medium much more freely but in a more sophisticated way. Appropriated documented reality is constructed, arranged, staged anew, but with the use of purely photographic methods and classical approaches.

The exhibition project The Eights is unconventionally conceived for the atrium as a series of small exhibitions for the anniversaries of the eights: February 1948, August 1968 and October 1918.

The Slovak National Gallery is preparing an exhibition about two household names of Czech and Slovak modern art, Emil Filla (1882 - 1953) and Ľudovít Fulla (1902 - 1980), as part of the Made in Czechoslovakia project dedicated to the 100th anniversary of the foundation of Czechoslovakia.

This monographic exhibition and publication project will present the work of academic painter Ján Berger (*1944) at the Slovak National Gallery for the first time. On the domestic scene, he represents the seemingly traditionalistic position of the classical medium of painting.

During the reconstruction of the Slovak National Gallery building in Bratislava, the temporary exposition of the SNG's historical collections (Gothic & Baroque) will provide visitors with access to the most important artefacts of the art of the 14th-18th centuries.

The exhibition remembers the work of Friedrich Weinwurm (1885 – 1942), the most significant representative of architectural avantgarde in Slovakia.

The fine art of Miloš Alexander Bazovský (1899 – 1968) as one of the founders of modern Slovak painting has been introduced in many exhibitions and publications. However, Bazovský in the role of a  photographer will have his first solo exhibition on the grounds of SNG.

Master of the former Marian altar from the Franciscan monastery in Okoličné near Liptovský Mikuláš belongs among the best painters of the Central European Late Gothic and he worked with other important Spiš sculptors, including Master Pavol.