As of November this year, artist Marcel Mališ will be painting his authorial replica of the lost work in the SNG atrium under a changed title ThanksSeeming of the Czechoslovak People. How precisely he will copy the origin is up to his decision. The gallery will be his "studio" and the picture will develop in front of the public eye. The painting action will become a starting point of a new experimental genre - an art undertaking which reflects our thinking about the status of the national gallery as an educational institution of today; a place of asking questions and looking for answers.

This solo exhibition of Erik Binder is a continuation of projects of middle-generation artists made for the SNG. Robustness of his oeuvre and at the same time the lightness of his creative approach enable us to present him as a creator within his own environment, within the labyrinth of his own life, where he is trying to orientate.

Project Seven Liberal Thoughts on the Arts, a collective work by curators at the SNG, responds to the flourishing of online culture during the quarantine measures because of the Covid-19 pandemic. Even prior to that, the SNG's digital footprint was relatively pronounced, and therefore under the new conditions it came naturally to us to expand our online range.

The new exhibition cycle of the Slovak National Gallery, In the Shop Display, enters the public space through the window of Café Berlinka on the ground floor of the Esterházy Palace, presenting works of visual art responding to the issues of contemporary life. This new exhibition format has revived a collaboration between Peter Bartoš and Július Koller called Shop Display (Anti-Gallery).

Not just randomly in Pezinok-Cajla - a place with a strong association with psychiatry, the exhibition Group Therapy would like to capture the increasing anxiety and slippery feeling of happiness that is being addressed by more and more artists nowadays. At one place, in the charismatic premises of an old mill, we concentrate works reflecting that participative inversion and community ethos, as we have been experiencing them in art and art operation of the last decades.

The 2011 Time Capsule expands the Slovak National Gallery collection of the works of today already world-renowned artist Roman Ondak by a monumental installation. The new acquisition fundamentally widens the conceptual art collection and the after 1960s installations in SNG and joins to the previously acquired works of the author - Hunger (1996), Anonymous Room (1996), Sated Table (1997), Retrospective (2005).

The mission of the experimental expositions is to present further content along with the collections in a wider cultural context and to provide a space for cultural experiments.

The Kornel and Naďa Földvári Library is a project dedicated to Slovak writer, satirist, art and literary critic, book collector and translator, Kornel Földvári. Preparations started together with Peter Krištúfek, writer and director, who for a long time has searched for a method of preserving Földvári's large collection of books.

Our second situational presentation of Július Koller's Archives focuses on several other aspects of his multi-layered creativity.

Július Koller, the icon of the conceptual art of Central Europe, has the first exposition of his very own. You can find it on Zámočnícka Street No. 13 in Bratislava. The core of the exposition, prepared by the civic association Antimúzeum Júliusa Kollera (Július Koller's Anti-Museum) in cooperation with the Slovak National Gallery, is comprised of a private collection.

The exposition on the first floor in Zvolen castle gallery begins with the display of the cabinet collection of icons of SNG. The objects are the heritage of medieval Byzantine painting.

Dear visitors! The exhibition Gothic art is currently unavailable due to revitalization. Sorry for the temporary closure.

Opened depository of The Collection of old European paintings of SNG was created considering the planed reconstruction of the building of SNG in Bratislava.

Exposition on the Occasion of the 50^th Anniversary of the Opening of the Slovak National Gallery at Zvolen Castle.

This collection of 17th - 19th century portraits in the chateau in Strážky consists mostly of works from the galleries of the chateau's previous owners (the Horváth-Stansith, Szirmay, Mednyánszky and Czóbel families, as well as the Spiš families of Csáky, Esterházy, etc).

Ladislav Mednyánszky (1852 - 1919) is one of the prominent representatives of Central European painting of the last third of the 19th century and the beginning of the 20th century. The mansion in Strážky is the only place in Slovakia in which a permanent exposition of his work is presented.

A brief historical exposition introduces the history of the mansion and the municipality and the development of the families who owned the mansion. The beginning of the significant Slovak historical library, which is a part of the national cultural heritage, dates back to the last quarter of the 16th century. The library has developed continuously for 400 years and today it has approximately 8,500 books, magazines and maps.

The Slovak National Gallery is gradually building up its outdoor exposition of plastic art, in which the works of the most prominent Slovak artists of the second half of the 20th century are represented in the impressive English park, which sprawls across the landscape bordering the Poprad River.

The Gallery of Ľudovít Fulla in Ružomberok was built according to the design of arch. Martin Kusý Sr. in 1964 and 1965 (implementation by architect Štefan Hatala) to present and preserve works of art donated to the state by Fulla, one of the most prominent and original Slovak artists of the 20th century.

Fulla’s tomb, located in the cemetery in Ružomberok and designed by Martin Kusý, is also under the administration of the Slovak National Gallery. Fulla himself designed the interior mosaics and Ernest Zmeták designed and created the mosaic on the floor.

The Mill exhibit shows a development of milling in the Little Carpathians from the 18^th century till the 1950s. The historic estate was preserved in almost originals state, including the architecture and the technical equipment of the mill.