The project refers to a term established by Karol Vaculík and curators of the national gallery in the early 1960s through the large exhibition Generation 1909 - Conscience of the Epoch (1964). The title reflected the "arithmetic" average of the birth dates of the particular authors selected for the group by the curator. Their affiliation to the group was not only biographical; the curators tried to find also other common features and connections.

The new educational Zone is for visitors who enjoy experimenting, creating, discovering and who want to learn more about interesting topics related to visual arts.

Not just randomly in Pezinok-Cajla - a place with a strong association with psychiatry, the exhibition Group Therapy would like to capture the increasing anxiety and slippery feeling of happiness that is being addressed by more and more artists nowadays. At one place, in the charismatic premises of an old mill, we concentrate works reflecting that participative inversion and community ethos, as we have been experiencing them in art and art operation of the last decades.

The mission of the experimental expositions is to present further content along with the collections in a wider cultural context and to provide a space for cultural experiments.

The Kornel and Naďa Földvári Library is a project dedicated to Slovak writer, satirist, art and literary critic, book collector and translator, Kornel Földvári. Preparations started together with Peter Krištúfek, writer and director, who for a long time has searched for a method of preserving Földvári's large collection of books.

Our second situational presentation of Július Koller's Archives focuses on several other aspects of his multi-layered creativity.

Július Koller, the icon of the conceptual art of Central Europe, has the first exposition of his very own. You can find it on Zámočnícka Street No. 13 in Bratislava. The core of the exposition, prepared by the civic association Antimúzeum Júliusa Kollera (Július Koller's Anti-Museum) in cooperation with the Slovak National Gallery, is comprised of a private collection.

The exposition on the first floor in Zvolen castle gallery begins with the display of the cabinet collection of icons of SNG. The objects are the heritage of medieval Byzantine painting.

Exhibition on the ground floor of Zvolen Castle is compiled according to various criteria. This created a sequence of relatively independent exhibition rooms.

Opened depository of The Collection of old European paintings of SNG was created considering the planed reconstruction of the building of SNG in Bratislava.

Exposition on the Occasion of the 50^th Anniversary of the Opening of the Slovak National Gallery at Zvolen Castle.

This collection of 17th - 19th century portraits in the chateau in Strážky consists mostly of works from the galleries of the chateau's previous owners (the Horváth-Stansith, Szirmay, Mednyánszky and Czóbel families, as well as the Spiš families of Csáky, Esterházy, etc).

Ladislav Mednyánszky (1852 - 1919) is one of the prominent representatives of Central European painting of the last third of the 19th century and the beginning of the 20th century. The mansion in Strážky is the only place in Slovakia in which a permanent exposition of his work is presented.

A brief historical exposition introduces the history of the mansion and the municipality and the development of the families who owned the mansion. The beginning of the significant Slovak historical library, which is a part of the national cultural heritage, dates back to the last quarter of the 16th century. The library has developed continuously for 400 years and today it has approximately 8,500 books, magazines and maps.

The Slovak National Gallery is gradually building up its outdoor exposition of plastic art, in which the works of the most prominent Slovak artists of the second half of the 20th century are represented in the impressive English park, which sprawls across the landscape bordering the Poprad River.

The Gallery of Ľudovít Fulla in Ružomberok was built according to the design of arch. Martin Kusý Sr. in 1964 and 1965 (implementation by architect Štefan Hatala) to present and preserve works of art donated to the state by Fulla, one of the most prominent and original Slovak artists of the 20th century.

Fulla’s tomb, located in the cemetery in Ružomberok and designed by Martin Kusý, is also under the administration of the Slovak National Gallery. Fulla himself designed the interior mosaics and Ernest Zmeták designed and created the mosaic on the floor.

The Mill exhibit shows a development of milling in the Little Carpathians from the 18^th century till the 1950s. The historic estate was preserved in almost originals state, including the architecture and the technical equipment of the mill.

The Slovak National Gallery will again be dressing up! In 2017 we presented a broad view of the fashion of socialist Czechoslovakia at the exhibition entitled Nech šije!/Sew Long! We noted the turbulences between fashion and ideology, we delved into the inner workings of the giants of ready-to-wear clothing, and we discovered well-hidden design studios and shops. For some visitors, this heaping dose of garments from the days behind the Iron Curtain brought back nostalgic memories of long dormant creativity; others less indulgently recalled the chafing of polyester fabric.