2021

The exhibition Disappearing Body is an experiential essay on the "disappearing" of physical bodies in our lives. It observes the general trend of decorporalisation of human existence, which has recently taken on new dimensions. Whether we regard the issue of different degree of physical „disappearing" within everyday life through the optics of geopolitical context, technological direction, "dissolution" of identities in online environments, post- or trans-humanistic theories, pandemic measures, spirituality, or self-observation, each of the aspects offers a wide range of interpretations. Similarly variable image is brought by the exhibition.

Zone is an educational space for visitors of all age categories, who like to explore, experiment, and want to learn more about interesting topics from fine art. Here, we connect interaction, new knowledge, fun, and relax with original works of art which are commented and explained though installations.

Looking at the statue 26 October 1921, destruction of the Maria Theresa monument in Bratislava (2007 - 2019) by contemporary artist Martin Piaček (1972), displayed in the window of Esterházy Palace - it is crucial to realize that we are just a couple of meters away from a place where the monument to Maria Theresa was unveiled in May 1897 and stood until its vandalistic destruction during the First Republic. Its granite pedestal stood there for another four years, without a monumental marble sculpture, silent remorse and a symbol of human vandalism.

Potential Agrarianisms sets out to diversify agriculture and pluralise its histories, recovering suppressed peasant pasts and activating their unrealised possibilities, destabilising urban-rural dichotomies, repairing the disconnect with the natural world and restoring caring and reciprocal relationships to the soils and plants that nourish us. Uncovering its origins in colonial plantations and embeddedness in the operations of extractive capitalism, the exhibition explores alternatives to the globalised system of industrial agriculture with its patent formula of chemical additives, noxious pesticides and genetically modified seeds, vigorously cultivated with fossil fuel machinery.

Several works by the designer and ceramicist Martin Bu (1976 - 2021) could be used as a concise spatial illustration for a dystopian novel. The world inside it went through a cataclysm. Some of the buildings have melted away, scattered with "corpses" of military machinery, others becoming habitat of sea predators. Nevertheless, Martin Bu does not concern himself with mere sarcastic commentary on various escapades of the genus Homo technicus from the position of critical or experimental design.

Do you have a knack for art? is an international platform focusing on art education. Every year it organizes a contest for high school students who want to deepen their interest in art and express their opinions on contemporary art and society. The exhibition presents the winning projects of this year's competition with the theme Idol by teams from Slovakia, the Czech Republic and Hungary.

The new exhibition cycle of the Slovak National Gallery, In the Shop Display, enters the public space through the window of Café Berlinka on the ground floor of the Esterházy Palace, presenting works of visual art responding to the issues of contemporary life. This new exhibition format has revived a collaboration between Peter Bartoš and Július Koller called Shop Display (Anti-Gallery).

Do you have a knack for art? is an international platform focusing on art education. Every year it organizes a contest for high school students who want to deepen their interest in art and express their opinions on contemporary art and society. The exhibition presents the best projects of this year's competition with the theme Idol by teams from all around Slovakia.

This solo exhibition of Erik Binder is a continuation of projects of middle-generation artists made for the SNG. Robustness of his oeuvre and at the same time the lightness of his creative approach enable us to present him as a creator within his own environment, within the labyrinth of his own life, where he is trying to orientate.
2020

The 2011 Time Capsule expands the Slovak National Gallery collection of the works of today already world-renowned artist Roman Ondak by a monumental installation. The new acquisition fundamentally widens the conceptual art collection and the after 1960s installations in SNG and joins to the previously acquired works of the author - Hunger (1996), Anonymous Room (1996), Sated Table (1997), Retrospective (2005).