Current exhibitions

As of November this year, artist Marcel Mališ will be painting his authorial replica of the lost work in the SNG atrium under a changed title ThanksSeeming of the Czechoslovak People. How precisely he will copy the origin is up to his decision. The gallery will be his "studio" and the picture will develop in front of the public eye. The painting action will become a starting point of a new experimental genre - an art undertaking which reflects our thinking about the status of the national gallery as an educational institution of today; a place of asking questions and looking for answers.

This solo exhibition of Erik Binder is a continuation of projects of middle-generation artists made for the SNG. Robustness of his oeuvre and at the same time the lightness of his creative approach enable us to present him as a creator within his own environment, within the labyrinth of his own life, where he is trying to orientate.

Project Seven Liberal Thoughts on the Arts, a collective work by curators at the SNG, responds to the flourishing of online culture during the quarantine measures because of the Covid-19 pandemic. Even prior to that, the SNG's digital footprint was relatively pronounced, and therefore under the new conditions it came naturally to us to expand our online range.

Several works by the designer and ceramicist Martin Bu (1976 - 2021) could be used as a concise spatial illustration for a dystopian novel. The world inside it went through a cataclysm. Some of the buildings have melted away, scattered with "corpses" of military machinery, others becoming habitat of sea predators. But Martin Bu does not concern himself with mere sarcastic commentary on various escapades of the genus Homo technicus from the position of critical or experimental design.

Not just randomly in Pezinok-Cajla - a place with a strong association with psychiatry, the exhibition Group Therapy would like to capture the increasing anxiety and slippery feeling of happiness that is being addressed by more and more artists nowadays. At one place, in the charismatic premises of an old mill, we concentrate works reflecting that participative inversion and community ethos, as we have been experiencing them in art and art operation of the last decades.

The 2011 Time Capsule expands the Slovak National Gallery collection of the works of today already world-renowned artist Roman Ondak by a monumental installation. The new acquisition fundamentally widens the conceptual art collection and the after 1960s installations in SNG and joins to the previously acquired works of the author - Hunger (1996), Anonymous Room (1996), Sated Table (1997), Retrospective (2005).